And what about the Lindemann? It gets across everything just the way as it has been taken from the web. In spite of all neutrality, it's also fully present in the treble range and accomplishes the feat of never getting on your nerves, but without smoothening top-end sparkle on the other hand. Here it benefits from a pronounced talent for fine dynamic structures. But also, in the field of coarse dynamics, the Limetree nails its colors to the mast. It falls already in a category of devices which do not just make the tympani and trumpets sound louder with an orchestra tutti, but release some serious energy and punch into the generous, very stable room. In doing so it foregoes the analytical quirk of numerous components, which build up an additional blackness around the instrument groups; it rather allows the music to decay or interweave in these rooms. I nearly forgot the headphone output, whichcan keep up the high level. However, with very high-Z headphones, one will eventually hit upon a limitation in volume. After all, the Lindemann gave me such a good time that I'm considering getting one for myself, too. It sounds great, eats no space and can do so much. From now on I will definitely never again lose sight of Lindemann.