tests/22-02-21_ferrum
 
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Ferrum Erco

11.03.2022 // Dirk Sommer

After a little more than a day, curiosity wins out and I take a brief listen into the album Changing Places by the Tord Gustavson Trio: The subtly differentiated "Deep As Love" as well as "Graceful Touch" with its quiet intro on the drums had already thrilled me when perfomed by the OOR, and, if my memory does not deceive me, the ERCO reproduces both the transients and the inner dynamics in a similarly convincing manner. At this point, it’s already clear to me that the sound of the now third member of the Ferrum family also has that certain something that makes the OOR particularly special. Since the latter had already left my listening room last fall, I am of course not able to evaluate how close the ERCO comes to the OOR. However, both headphone amplifiers clearly share the same sonic genes: lovely!

After a few more days, a Mytek Brooklyn DAC+ finds its way back home from a colleague, which I then also connect to the Mac with an ordinary cable, after it having completed a warming-up phase of several hours as well: With the Mytek, minimally less air surrounds the instruments and the acoustic space seems a bit smaller. The ERCO performs simply a bit more fluent and beguiling: the music takes the center stage and displaces any thoughts about the technology - what has already been the case with the OOR. The Mytek, on the other hand, is rather triggering memories of the SPL Phonitor in its precise and sober way of playing.

The ERCO features a balanced design throughout. Four integrated amplifiers operate in the headphone output stage
The ERCO features a balanced design throughout. Four integrated amplifiers operate in the headphone output stage

In order to evaluate the influence of the HYPSOS on the ERCO's sonic performance, the latter moves to a more refined environment: It finds a new home in one of the Artesania equipment supports in the listening room and is supposed to source its data from the USB output of the Auralic Aries G2.1. However, this doesn’t work even after one or the other reboot attempt of the Aries. Should the ERCO's USB-C be the cause for this misbehaviour? I'll talk to Marcin Hamerla about the problem and keep you posted - although I'm sure that very few hifi enthusiasts will pair a high-grade streamer with a headphone amp/converter combo. In my system, nevertheless, this variant is simply very useful: This way the ERCO is fed with optimally prepared digital signals, while the HYPSOS is in close proximity. That's why I am not about to give up yet, and so I connect Aries and ERCO via S/PDIF by means of an Audioquest Wild. And this works right away. To test the function I choose Arild Andersen's album Mira and instead of relying on the already often mentioned title "Raijin" I start with "Bygone": Tommy Smith plays his tenor saxophone in a very melodious and mellifluous manner, without any sharpness or harshness. Paolo Vinaccia dabs the rhythm with cymbals and a reticently struck drum, and Arild Andersen lets his bass sing warmly, even somewhat buzzy. The trio seems to perform within a larger space: A lot of air surrounds the instruments. A real pleasure!

The quadruple potentiometer is due to the balanced signal routing
The quadruple potentiometer is due to the balanced signal routing

And the HYPSOS intensifies this enjoyment even more: The sonic imaging appears to be even more free and open, the one or other detail somewhat takes a step beyond the perception threshold, double bass and bass drum simply get closer to the point, but without sacrificing the intensive musical flow. ERCO, HYPSOS and the Peacock let you revel in euphony. However, this is by no means to say that you can't enjoy music via headphones in an extremely satisfied way without the optional power supply. To find out how the HYPSOS behaves when the ERCO is merely operating as a converter, it makes its way into the living room. I activate the Bypass mode, connect the balanced outputs of the ERCO to Einstein's The Preamp and the coaxial S/PDIF input to the corresponding output of the Aries Femto – and yes, you guessed it: the USB input of the ERCO is not recognized by the Femto either. Whether it's due to the coaxial connection type or not, I can't say, but I’ve already experienced Shostakovich's Symphony No. 15 in the living room in a more vibrant way. And the spatial imaging seems a bit limited as well. As a pure converter, the ERCO in conjunction with its standard switching power supply doesn’t convince me as part of my extremely high-resolution system that it has become over time. That all changes completely when the Ferrum converter is powered by the HYPSOS. The ERCO suddenly sounds like a DAC from a much higher price range. In this application, I would not want to do without the HYPSOS under any circumstances. With it, the ERCO endulges with a large, very realistic sounding image, gripping dynamics, a transparent performance with strong timbres, and details that are nicely integrated into the musical flow. If you want to use the ERCO as a converter in a high-quality system, you can't avoid investing in a HYPSOS. This combination then offers a highly customer-friendly price/sound ratio!

For D/A conversion, the Ferrum uses an ES9028Pro
For D/A conversion, the Ferrum uses an ES9028Pro

However, it remains to be seen how the ERCO sounds as a pure preamp. In order to get this done, I first play a few records on the Brinkmann Avance equipped with Breuer and Titan i, connected in unbalanced mode to a Keces Sphono assigned for equalization and preamplification, which for its part is wired to the Einstein preamp. Before starting this review, I had not heard any LPs in this system configuration in the living room, and I am surprised which impact the exchange of the matured Brinkmann Marconi, of which there is meanwhile a MKII version around, against the Einstein has brought especially in terms of spatiality. The Preamp really doesn't make it easy for the ERCO to compete, but the Ferrum immediately wins you over with its open and dynamic performance. Its spatial imaging is as well convincing, even if the Einstein – while retailing for a more than six times higher price - still suggests a minimally larger soundstage. And, even if the ERCO in conjunction with the HYPSOS would offer preamplification services alone, it could rightly be praised as a bargain. Especially when paired to the optional power supply, it shows off both as a very convincing D/A converter and a headphone amplifier, which doesn’t by no means intend to deny its sonic relationship to the excellent OOR: Undoubted, this is Ferrum’s third big thing!

STATEMENT

The ERCO definitely convinces me as a headphone amplifier, but as a converter in combination with a HYPSOS it even leaves no legitimate wishes unfulfilled in its price range and a good bit beyond. And as a preamplifier joint-forces with the company's proprietary power supply it has absolutely thrilled me: This thing really is an affordable entry drug into the world of high end audio!
Listened with (living room)
Turntable Brinkmann Avance
Tonearm Breuer Dynamic 8
Cartridge Lyra Titan i
Phono preamp Keces Sphono
D/A converter Mytek Manhattan II
Streaming bridge Auralic Aries Femto with Ferrum Hypsos
Pre amp Einstein The Preamp
Power amp Einstein The Poweramp
Loudspeaker Göbel Epoque Aeon Fine
Cables Audioquest Dragon Bi-Wiring, Swiss Cables Reference (Plus), Habst Ultra III
Accessories Einstein The Octopus, HighEndNovum Multivocal Resonator, Finite Elemente Cerabase, Audioquest Jitterbug, Sieveking Quantum Noise Resonator
Manufacturer's Specifications
Ferrum Erco
Headphone output gain -5.8dB, +6dB, +17.8dB (balanced), -11.8dB, 0dB, +11.8dB (unbalanced)
Operation fully balanced, proprietary IC power amp
Power inputs 5.5/2.5mm DC connector center positive proprietary FPL 4-pin DC connector (FPL)
Analog inputs RCA (Consumer level; Pro level option with software update)
Digital inputs USB-C (up to PCM 384kHz/32bit, DSD x256, DoP x128); S/PDIF optical (up to PCM 19 kHz/24bit, DoP x64); S/PDIF coaxial (up to PCM 96kHz/24bit granted, up to PCM 192kHz/24bit, DoP x64 possible)
DAC chip ESS Sabre ES9028PRO
PCM sample rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 / 352.8 / 384 kHz
DSD sample rates 2.8224 / 3.072 / 5.6448 / 6.144 / 11.2896 / 12.288 MHz
MQA Decoder and renderer
DAC resolution PCM up to 384kHz/32bit; DSD up to x256
Headphone jack outputs 4.4 mm (TRRRS) balanced; 6.35mm (TRS) unbalanced
Line outputs XLR (balanced), RCA (unbalanced) (both consumer level; Pro level option with software update)
Volume control analog, with bypass option (for line outputs only)
Frequency response 10Hz - 30kHz (±0.05 dB) 10Hz - >200kHz (±1dB)
Output power unbalanced 300mW into 300Ω, 1.7W into 50Ω
Output power balanced 1.2W into 300Ω, 6.1W into 50Ω
THD (balanced output) < 0.00018% / -115dB, 1mW into 16Ω; < 0.00018% / -115dB, 100mW into 16Ω
THD (unbalanced output) < 0.00032% / -110dB, 1mW into 16 Ω; < 0.00057% / -105dB, 100mW into 16Ω
Dynamic range analog 130dB (A-weighted)
Dynamic range digital 120dB (A-weighted)
Input impedance 47kΩ
Output impedance unbalanced 22Ω on pre amp
Output impedance balanced 44Ω on pre amp
Output impedance headphones < 0,3Ω
Power consumption <15W (in idle mode)
Power adapter 100-240V AC to 22-30V DC
Dimensions (W/H/D) 21,7/5/20,6cm
Weight 1,8kg
Price 2,400 euros
Manufacturer
HEM Sp. z o.o.
Address Aleje Jerozolimskie 475
05-800 Pruszków
Poland
Phone +48 22 823 7238
Email info@hem-e.com
Web ferrum.audio

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